Draped in chains and unpacking a lifetime of loneliness, Sarah Roberts turns confessional trauma into pure late-night gold at Edinburgh Fringe. An absolute must-see at Monkey Barrel.
Review: Richard Stott – Streets Won’t Forget, Fringe 2026
The best punchlines often happen in the smallest rooms. Richard Stott’s new stand-up hour tackles identity and football metaphors with an empathetic touch that completely transforms a pop-up hut into a comedy goldmine.
Review: Irene Woo – Golden Child, Fringe 2026
What interview questions do female software developers get asked compared to men? Irene Woo tackles tech industry double standards and family expectations in her safe and pleasant new comedy set.
Review: Fatiha El-Ghorri – Cockney Stacking Doll, Fringe 2026
The queues outside Monkey Barrel are heaving for a reason. Fatiha El-Ghorri brings raw charisma to the stage to dismantle stereotypes and leave you feeling like you just spent an hour with a hilarious new best friend. You need to see this.
A review of Matthew Gallagher: Last Minute, Fringe 2026
A really fun hour of impressions, observational comedy and crowdwork. A strong debut from Gallagher, if not the most polished – with a bit more confidence, he’ll definitely be one to watch in the coming years!
Review: NewsRevue, Fringe 2026
A hilarious musical parody comedy sketch show on all things political and current affairsy. If the real news is bringing you down, this feels like the antidote.
Review: Final Queen, Fringe 2026
A really joyful and gloriously sequinned performance from an absolute tour-de-force who commands the stage and entertains with seamless musical numbers, dancing, acrobatics, crowdwork and more!
Review: Tale of the Firebird – Concerto for Violin, Fire & Acrobatic Orchestra, Fringe 2026
If the combination of live strings music, acrobatics and aerial arts sounds appealing, this show combines them wonderfully! Would certainly recommend this show to anyone who is curious to see these art forms merged in one show. It is very impressive!