Live music, master rights, and battles against tech giants collide in Michelle Shocked’s Bootleg This! at Edinburgh Fringe.
Review: The Silk Road (Kinda), Fringe 2026
East meets West in the afterlife as Peking Opera’s Yuji and Oscar Wilde’s Salome attempt to rewrite their fatal endings. A sharp, beautifully sung fusion musical running at C ARTS for the CCW China Season.
Review: Wukong and Kong, Fringe 2026
Wukong and Kong brings classic myth to modern student life at the Edinburgh Fringe with inventive puppetry, digital projection, and martial arts humour.
Review: Hannah Byczkowski – Killer, Fringe 2026
Former Traitors winner Hannah Byczkowski takes over the Turret at Teviot with sharp callbacks, high spirits, and hilarious takes on death in Killer.
Review: Jess Carrivick – For Your Consideration, Fringe 2026
Up close and personal inside The Nook at Teviot, Jess Carrivick turns childhood home movies into rapid character comedy. An inventive, nostalgic hour at the Edinburgh Fringe.
Review: High Heels from the Big Boot, Fringe 2026
A playful comedy about women reclaiming the messy, inconvenient parts of themselves that history and family memory tend to erase.
Review: Bleep Bleep! – Fringe 2026
A playful, imaginative slice of children’s theatre built entirely on movement, visual storytelling and handcrafted sound. Instead of dialogue, the performers rely on sharp physical comedy and expressive character work to guide the audience through a simple but engaging storyline. The robot’s lifelike behaviour becomes the centrepiece of the show, creating a sense of wonder that pulls children in immediately.
Review: Mario the Maker Magician, Fringe 2026
A brilliantly energetic, funny, engaging and interactive magic show – not to mention fun for the entire family. Highly recommend!







