Breathe is a charming puppet show with diverse music and clever staging that, while not the most energetic story, is sure to delight children and puppet enthusiasts alike in King Dome.
Review: Abi Clarke: (Role) Model, Fringe 2024
Abi Clarke’s “(Role) Model” sold out on the first Sunday of Fringe, delighting a young audience with its honest and humorous exploration of the desire to be seen in a positive light, even if it means revealing personal flaws.
Review of Sh!t-faced Shakespeare®: Much Ado About Nothing, Fringe 2024
Birdy picked up her umbrolly and braved the elements to head along to the Edinburgh International Conference Centre (fancy) for some ermmm… culture and comedy!
Review: My Mother’s Funeral – The Show, Fringe 2024
Kelly Jones’ “My Mother’s Funeral: The Show” is a powerful and emotionally intense modern play, brought to life by the brilliant performances of Nicole Sawyer, Debra Baker, and Samuel Armfield, but perhaps not the best choice for those currently grieving.
Review: Piskie, Fringe 2024
Piskie is a powerful, pleasantly spooky theatrical experience, showcasing Lucy Roslyn’s impressive emotional range, though some repetitive elements could be refined for a sharper, more swift performance.
Review of Colin Cloud: Consequences, Fringe 2024
Birdy (perhaps a little deceptively) casually strolled down to Bristo Square’s McEwan Hall to watch Colin Cloud: Consequences, knowing full well there are consequences of seeing a Colin Cloud show – you’ll find out why by reading this review.
Review: Takashi Wakasugi – Welcome to Japan, Fringe 2024
“Welcome to Japan” is a mixed bag of comedy with insightful observations on cultural differences and a few too many fart jokes, but Takashi Wakasugi shows potential for growth and a stronger focus on cultural humour in future performances.
Review: Kemah Bob – Miss Fortunate, Fringe 2024
“Miss Fortunate” is a captivating performance, a rollercoaster of emotions with a terrifying blend of humor and darkness, showcasing Kemah Bob’s talent and potential for bigger stages.







