Mitch Benn’s “The World’s Cleverest Idiot” is a clever and entertaining show filled with intelligent observations and witty songs; although not his absolute best, it still promises a good time and earns a spot on the 2025 Fringe wishlist.
Review: Sherlock Holmes – The Last Act, Fringe 2024
“The Last Act” is a captivating play that Sherlock Holmes fans will enjoy for its faithful portrayal of the iconic detective. Still, it’s best suited for mature audiences familiar with the source material.
Review: A Giant on the Bridge, Fringe 2024
A Giant on the Bridge is a surprisingly delightful and easy-to-understand narrative that deftly weaves together complex emotions and numerous storylines. It’s a must-see performance at the 2024 Fringe Festival.
A review of Avenue Q, Fringe 2024
Despite occasional cringeworthy moments, Avenue Q’s puppet-led musical tackles challenging subjects with a surprising mix of cynicism and charm, making it a unique experience worth considering, though not for everyone.
A review of Jo Caulfield Pearls Before Swine, Fringe 2024
Jo Caulfield’s “Pearls Before Swine” is a delightful surprise for classic stand-up fans. It features her signature expressive deadpan delivery and well-loved comedic moans.
A review of Alex Kealy: The Fear, Fringe 2024
Alex Kealy’s “The Fear” is a traditional stand-up comedy show that delivers contemporary, wise, and funny observations with emotional depth, making it a great start to a night of Fringe fun.
A review of ARI: The Spirit of Korea, Fringe 2024
ARI combines traditional and contemporary, fine art and grace, with high-octane beats and wonderfully binds all those ingredients with music and singing. If you’re a little tempted by the Korean season at the Festivals this year, you should be plenty tempted by ARI: Spirit of Korea.
Review of Amelia Bayler: Easy Second Album, Fringe 2024
Birdy hightailed it down the Royal Mile to see Amelia Bayler at the Waverley Bar on her first day of the Fringe, where she bagged a seat next to some (mechanical) fans.