While tonight’s D&D meets Hogwarts parody set-up might not be for everyone, “Tartan Tabletop” ultimately delivers an engaging and humorous performance, thanks to its clever design and the performers’ natural wit.
Review: 21 – The Music of Adele, Fringe 2024
“21: The Music of Adele” is a delightful tribute show featuring Ella McCready’s powerful vocals and the Night Owl band, offering a memorable experience for fans of Adele’s music and a perfect cross-generational outing.
Review: Catherine McCafferty: (Not) That Bad, Fringe 2024
Upon making her way to (Not) That Bad, Birdy discovered The Mash House for the first time, and amidst this super cool venue, the show was… actually quite good.
Review: It’s a Mystery, Fringe 2024
Tim Benzie’s “It’s a Mystery” is a surprisingly enjoyable and intriguing murder mystery show that even published authors of the genre might find entertaining and thought-provoking.
Review: The Selkie’s Wife, Fringe 2024
Birdy was at a bit of a loose end, and so was very glad to have been recommended this gem of a show from Elisabeth Flett, with such a short run at this year’s Fringe.
Review: YOAH, Fringe 2024
YOAH delivers a series of impressive circus highlights, showcasing incredible acrobatics and balancing skills, but might not meet the expectations of those seeking a continuous thrill ride.
Review: Through the Mud, Fringe 2024
The powerful and compelling performance of “Through the Mud” transcends its hour-long duration, seamlessly blending music, dance, and storytelling to evoke a profound sense of injustice.
Review: Charles Dickens – The Hanged Man’s Bride, Fringe 2024
Despite the heat and challenges of adapting a short ghost story to the stage, James Nicholas’ passionate performance of Charles Dickens’ The Hanged Man’s Bride captivated the audience with his acting, making it a worthwhile experience for established fans of one-man shows and Dickens enthusiasts.