In Don’t Count On Me, comedian James Trickey, a former accountant, takes a calculated comedic risk by exploring his mixed heritage and the clash between a life of logic and a passion for stand-up.
Review: 8 Ways to Break a Glass (With an American Opera Singer), Fringe 2025
With a powerful voice and an even more powerful sense of humour, Steph DePrez delivers a delightful, surprising, and unforgettable show that stands out from the Fringe crowd.
Review: Nate Kitch: Something Different!!!!!, Fringe 2025
Something Different!!!!! by Nate Kitch is a show that defies convention, using crafted chaos to create a unique and memorable Fringe experience.
Review: Fun at Parties, Fringe 2025
Berlin Open Theatre’s Fun at Parties is a fast-moving, energetic dive into Berlin’s club scene. A fantastic all-female cast explores friendship and burnout in a drug-hazed world where the ‘fun’ is a coping mechanism.
Review: Hahaha–Hamlet, Fringe 2025
This fresh, musical rendition of Hamlet from Hong Kong performers is a must-see. It mixes Shakespeare with modern stories and sharp political commentary, all with a lively energy and a sense of humour that’s infectious.
Review: A Jaffa Cake Musical, Fringe 2025
A Jaffa Cake Musical is an unexpected courtroom comedy which interrogates whether the UK’s beloved snack is a cake or biscuit.
Review: Messy Magic Adventure, Fringe 2025
The Messy Magic Adventure show burst onto the stage with high energy, big laughs, and plenty of surprises.
Review: The Wonderful World of Winnie the Pooh, Fringe 2025
The gentle magic of the Hundred Acre Wood was brought to life in this delightful stage adaptation of Winnie the Pooh.







