An evocative, ever-evolving solo performance blending physical theatre and improvisation, created by China’s “Underground Theatre Queen” Xue Jia. Join a powerful journey where movement, silence, and memory meet, transforming audiences from observers into co-creators.
Review: Saaniya Abbas – Hellarious, Fringe 2025
Charming, adorable, and armed with a Trump joke within the first five seconds, Saaniya Abbas makes a stellar Fringe debut with Hellarious. Her comedy cleverly navigates her cultural identity and a genuine curiosity about her audience, making for a warm, engaging, and thoroughly funny hour.
Review: Dan Tiernan – ALL IN, Fringe 2025
Dan Tiernan returns with a high-energy confessional about his quest for self-improvement, delivering cringe-inducing truths and unapologetic humour.
Review: Biscuit Barrel – The 69-Sketch Show, Fringe 2025
Decked out in their iconic biscuit heads, a talented comedy team present a fast-paced show featuring 69 distinct sketches of varying lengths and styles.
Review: Well Behaved Women, Fringe 2025
Well Behaved Women is a triumph. It expertly balances laugh-out-loud farce with a powerful, timely message about the joy and strength of female friendship.
Review: Dance Dance Involution, Fringe 2025
A surprising and spirited show that is less about dance and more about the vital cultural debate around work, life, and rebellion in modern Hong Kong. The three young performers are excellent in this comedic and emotional exploration of the ‘lying flat’ phenomenon. Highly recommended.
Radar: Unspoken, Yet Heard – A Story of Theatre, Love, and the Unseen
Unspoken, Yet Heard is a free event designed specifically for children and young people with additional support needs and their families, enabling them to be part of the Fringe.
Review: Nüshu – Written for Her, on Her, by Her (Fringe 2025)
Guest reviewer Liwei Teng went along to C aquila (Temple – C Arts) to see this poetic, multi-sensory ritual that honours lost women’s voices.