Despite its awkward title, “2 Wongs and a White” is a well-priced and enjoyable comedy show featuring three talented comedians offering sharp jokes and yet a refreshing break from edgelord clutching at straws humour.
Comedy in Edinburgh
Edinburgh boasts a vibrant and deeply-rooted comedy scene that thrives throughout the year, anchored by legendary venues such as The Stand Comedy Club, a proving ground for countless famous comedians, alongside the multi-award-winning Monkey Barrel Comedy and the ever-popular Just the Tonic, which all provide a consistent programme of top-tier stand-up.
However, this thriving year-round culture is merely the prelude to the comedic explosion that occurs each August during the Edinburgh Festival Fringe. The city transforms into the undisputed global epicentre of comedy, as thousands of performers—from household names testing new material to ambitious newcomers seeking their big break—descend upon the capital, turning every conceivable space from grand theatres to cramped pub basements into a performance venue. This month-long comedy marathon creates an unparalleled atmosphere of creative energy, solidifying Edinburgh's reputation as the ultimate destination for performers and fans of live humour.
Review: Tartan Tabletop In A Dungeons & Dragon Comedy – The Never-Ending Quest – The Return, Fringe 2024
While tonight’s D&D meets Hogwarts parody set-up might not be for everyone, “Tartan Tabletop” ultimately delivers an engaging and humorous performance, thanks to its clever design and the performers’ natural wit.
Review: Abi Clarke: (Role) Model, Fringe 2024
Abi Clarke’s “(Role) Model” sold out on the first Sunday of Fringe, delighting a young audience with its honest and humorous exploration of the desire to be seen in a positive light, even if it means revealing personal flaws.
Review: My Mother’s Funeral – The Show, Fringe 2024
Kelly Jones’ “My Mother’s Funeral: The Show” is a powerful and emotionally intense modern play, brought to life by the brilliant performances of Nicole Sawyer, Debra Baker, and Samuel Armfield, but perhaps not the best choice for those currently grieving.
Review: Piskie, Fringe 2024
Piskie is a powerful, pleasantly spooky theatrical experience, showcasing Lucy Roslyn’s impressive emotional range, though some repetitive elements could be refined for a sharper, more swift performance.
Review: Takashi Wakasugi – Welcome to Japan, Fringe 2024
“Welcome to Japan” is a mixed bag of comedy with insightful observations on cultural differences and a few too many fart jokes, but Takashi Wakasugi shows potential for growth and a stronger focus on cultural humour in future performances.
Review: Kemah Bob – Miss Fortunate, Fringe 2024
“Miss Fortunate” is a captivating performance, a rollercoaster of emotions with a terrifying blend of humor and darkness, showcasing Kemah Bob’s talent and potential for bigger stages.
Review: Mitch Benn – The World’s Cleverest Idiot, Fringe 2024
Mitch Benn’s “The World’s Cleverest Idiot” is a clever and entertaining show filled with intelligent observations and witty songs; although not his absolute best, it still promises a good time and earns a spot on the 2025 Fringe wishlist.