It was finally time for me to be watching something a bit more serious at the Edinburgh Fringe, and I made my way along to the C Arts venue at Lauriston Hall not quite knowing what to expect, but looking forward to something that was hopefully going to nourish my soul. And, that it did.

I needed a bit of a pick-me-up, and sometimes there’s just nothing else for it but musical numbers from drag queens – plus, bonus points if there’s any Disney involved.

I was delighted to be able to come back to the Monkey Barrel to see Dan Tiernan’s new Fringe show STOMP, having seen his other show, Going Under, back in March.

I hadn’t heard of Will Owen before, but I was keen to come along to this LGBTQIA+ friendly show for what looked like a glittery, fun time.

It was Birdy’s first time seeing Canadian comedian Glenn Wool, and she took a comfy seat in the front row at The Counting House to hear about his relationship woes. Okay, I don’t know which rock I’ve been under to have not heard of critically-acclaimed, world-renowned comedian Glenn Wool before, because judging by this show’s […]

Birdy had such a whale of a time (despite there being no whales in this show) at last year’s Fringe, she decided to come back for a second helping of Cheekykita: An Octopus, The Universe ‘n’ Stuff.

Birdy was really happy to see the one and only John Robertson was performing not one but TWO shows at the Fringe this year – so her first stop was The Human Hurricane.

Birdy, now seemingly a regular at The Space at Surgeon’s Hall, once again made her way there for Death Becomes Us; she was lured in by the promise of robot bodies, and ended up crying instead.