Of Fire and Flame is a one-woman show that’s both a hilarious parody of the romantasy genre and a poignant reflection on chronic pain. Lily Edwards’s superb performance is a treasure, balancing comedy and a serious, moving story.
Review: Fun at Parties, Fringe 2025
Berlin Open Theatre’s Fun at Parties is a fast-moving, energetic dive into Berlin’s club scene. A fantastic all-female cast explores friendship and burnout in a drug-hazed world where the ‘fun’ is a coping mechanism.
Review: Hahaha–Hamlet, Fringe 2025
This fresh, musical rendition of Hamlet from Hong Kong performers is a must-see. It mixes Shakespeare with modern stories and sharp political commentary, all with a lively energy and a sense of humour that’s infectious.
Review: Catching a Cheese Pervert – A Frances Francis Mystery, Fringe 2025
Inspired by a true story, this Fringe play follows a woman who must prove her worth in her family’s dairy empire by tracking down a “cheese pervert.”
Review: I’m Not Saying We Should, But What If We Did?, Fringe 2025
This show is a compelling satire on populist politics, female rage, and male privilege. The premise of banning men is confronting and thought-provoking, and the play’s unique visuals will stay with you long after it ends.
Review: No More Bull, Fringe 2025
A rousing and thought-provoking musical that re-examines the Minotaur myth through the eyes of Princess Ariadne.
Review: The Anti “Yogi”, Fringe 2025
The Anti-Yogi is a powerful and intelligent show that combines a mesmerising physical performance with a deep dive into the cultural exploitation of yoga.
Review: Crocodile Tears, Fringe 2025
“Crocodile Tears” is a must-see dark comedy at the Fringe, featuring a fantastic ensemble cast and a clever script. The performers expertly reveal the truth behind their reality TV personas as the story twists from sharp satire into a high-stakes thriller that questions the nature of authenticity and entertainment.