Staged beneath the cobbles at The Caves, 10A: The Fitting Room blends fitting room banter with an honest look at relationship dynamics. A strong morning theatre pick for this year’s Fringe.
Review: Woman Seeking Cuddles, Fringe 2026
Behind the playful title lies one of the most provocative solo dramas at the Edinburgh Fringe. Woman Seeking Cuddles delivers razor-sharp writing and an electric performance at the Stephenson Theatre.
Review: The Poetical Life of Philomena McGuinness, Fringe 2026
What happens when your duty calls for nursing, but your soul insists on poetry? Moon Rabbit Theatre captures the Blitz through small gestures and quiet resilience at Surgeons Hall. An essential 50-minute watch at this year’s Fringe.
Review: The Silk Road (Kinda), Fringe 2026
East meets West in the afterlife as Peking Opera’s Yuji and Oscar Wilde’s Salome attempt to rewrite their fatal endings. A sharp, beautifully sung fusion musical running at C ARTS for the CCW China Season.
Review: Wukong and Kong, Fringe 2026
Wukong and Kong brings classic myth to modern student life at the Edinburgh Fringe with inventive puppetry, digital projection, and martial arts humour.
Review: The Woman in the Mirror, Fringe 2026
An intimate, deeply moving two-woman play about dementia and caregiver strain. Dayna Steele and Rebecca McWilliams deliver real emotional power at ZOO Southside.
Review: Music & Murder By…, Fringe 2026
What happens when creative differences turn deadly? Music & Murder By… brings dark laughs, live pop-rock harmonies, and backstage sabotage to the Edinburgh Fringe in an inventive 4-star show at Symposium Hall Annexe.
Review: SUCCUBUS, Fringe 2026
Blood, satire, and flawless stagecraft collide in SUCCUBUS at Underbelly Dexter. Georgina Collins crafts a sharp coming-of-rage tale that bites back at everyday misogyny with expert comic timing.