Staged beneath the cobbles at The Caves, 10A: The Fitting Room blends fitting room banter with an honest look at relationship dynamics. A strong morning theatre pick for this year’s Fringe.
Review: Irene Woo – Golden Child, Fringe 2026
What interview questions do female software developers get asked compared to men? Irene Woo tackles tech industry double standards and family expectations in her safe and pleasant new comedy set.
Review: Let’s Listen to Some of Lou Bega’s Other Songs Together for an Hour, Fringe 2026
Forget Mambo No. 5. Ollie Horn’s new Fringe show at Just the Tonic at The Caves is a fully committed, hilarious lecture dissecting Lou Bega’s deeper catalogue. A unique mid-week treat for comedy fans.
Review: Blip Blarp – An Alien Love Story, Fringe 2026
Sci-fi meets physical cabaret in Blip Blarp: An Alien Love Story at The Mash House. A deadpan, blue-painted look at mixed signals, AI visual satire, and human romantic chaos.
Review: Bald 2 in 1, Fringe 2025
A delightful journey into absurdity with Bald 2-in-1, a split-bill stand-up showcase from two very different bald men (although, as they point out, all bald men look the same) that bring their own brand of nonsense to the stage.
Review: The Electric Head, Fringe 2025
A high-stakes improv show that proves to be a captivating and bizarre adventure, elevated by the performers’ incredible chemistry and experience.
Review: Candace Bryan – MILF (Mom I’d Like to Find), Fringe 2025
A clever, cathartic, and consistently hilarious hour of stand-up that turns a powerful personal story about a missing mother into a triumph of comedy.
Review: Smile, It Might Never Happen, Fringe 2025
Smile, It Might Never Happen is a high-wire act of an improv show. When it works, it’s brilliant, with the cast’s chemistry and musical prowess creating a unique and entertaining experience. When it doesn’t, it’s a little awkward, but never for long.