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Review: Alan Jay – Hell Hath No Humour Like a Gayboy Scorned, Fringe 2026

August 27, 2026 by Andrew Girdwood Leave a Comment

Fluent Mandarin pranks, brutal honesty, and zero self-pity. Alan Jay balances genuine darkness with charisma at Gilded Balloon Patter House.

Review: Nate Kitch Replica, Fringe 2026

August 23, 2026 by Andrew Girdwood 1 Comment

Looking for comedy that takes real risks? Nate Kitch deconstructs stand-up with electric energy in Replica at the Edinburgh Fringe.

Review: Extra Lives – The Interactive Video Game Concert, Fringe 2026

August 23, 2026 by Andrew Girdwood Leave a Comment

Extra Lives brings live-scored gaming nostalgia to the Edinburgh Fringe, blending real-time band performances with crowd-sourced story choices. We tested out the interactive concert at Patter House to see if the gameplay matches the music.

Review: Michelle Shocked – Bootleg This!, Fringe 2026

August 17, 2026 by Andrew Girdwood Leave a Comment

Live music, master rights, and battles against tech giants collide in Michelle Shocked’s Bootleg This! at Edinburgh Fringe.

Review: Hannah Byczkowski – Killer, Fringe 2026

August 16, 2026 by Andrew Girdwood Leave a Comment

Former Traitors winner Hannah Byczkowski takes over the Turret at Teviot with sharp callbacks, high spirits, and hilarious takes on death in Killer.

Review: Jess Carrivick – For Your Consideration, Fringe 2026

August 16, 2026 by Andrew Girdwood Leave a Comment

Up close and personal inside The Nook at Teviot, Jess Carrivick turns childhood home movies into rapid character comedy. An inventive, nostalgic hour at the Edinburgh Fringe.

Review: HR The Musical, Fringe 2026

August 15, 2026 by Andrew Girdwood Leave a Comment

The absurdities of modern work culture get a musical roasting in H.R. The Musical at the Edinburgh Fringe. Sharp writing, hilarious songs, and brilliant comedic performances turn corporate dread into pure joy.

Review: Mel Hudson – Richard Ashcroft Revived My Libido, Fringe 2026

August 13, 2026 by Andrew Girdwood Leave a Comment

A frank, insightful, and deeply funny look at perimenopause, midlife desire, and personal freedom. Mel Hudson proves her comedy pedigree in a brilliant four-star hour at the Fringe.

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