Amy Webber’s latest show, Wannabe, is an autobiographical musical comedy that begins with a nostalgic look back at her childhood.
The performance opens with Webber delving into a box of old memories, unearthing poetry and songs she wrote between the ages of seven and fourteen. It sounds like a sweet, wholesome trip down memory lane, and in many ways, it is, but it’s a journey that takes a turn into some surprisingly dark and poignant territory.
A Deep Dive into the Personal
Webber has an incredible knack for blending light and shade. As the show progresses, the childhood innocence of her early writings gives way to a more complex narrative as she confronts the challenges and traumas of her adult life, including her experiences with sexual assault. This emotional depth is handled with remarkable sensitivity and honesty. It’s a brave and necessary conversation, and she even suggests a website for those who may have had similar experiences. This shift from quaint nostalgia to a powerful message of resilience is a testament to the show’s thoughtful structure and Webber’s skill as a performer. It’s a show that will stay with you long after you leave the theatre.
Charisma and Musicality
Webber is a formidable talent. It’s not every day you see someone with an opera degree performing pop songs and making comedy at the Fringe, but Webber does so with an infectious energy. Her ability to sing opera in Japanese about an imaginary fish, or to effortlessly switch between musical styles, is a highlight of the performance. The show is packed with her charisma, and she has the audience wrapped around her finger from the start.
She gets the entire room singing and clapping along, and her call for audience volunteers is met with an enthusiastic response. She’s aided by a fantastic (audience-powered) setup, including a fan machine, a spotlight, and even an imagined lighting technician and backing singers, all of which she expertly directs from the stage. Webber is an absolute professional, and this show is a shining example of what the Fringe does best, offering audiences the chance to discover a talent who could easily be headlining on TV. This is your opportunity to say, “I saw her at the Fringe first.”
Overall

Amy Webber is back with another cracking show. Wannabe is a deeply personal and entertaining hour of musical comedy that showcases her immense talent and undeniable stage presence. This is a must-see for anyone looking for a show that is as funny and charming as it is heartfelt and moving. Let’s hope she makes it back next year.
Review: Amy Webber – Wannabe, Fringe 2025
Summary
Amy Webber’s latest show is a heartfelt and hilarious journey that masterfully blends nostalgia with powerful personal storytelling.

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