Babe Lincoln is an engaging and hilarious musical comedy that cleverly combines history and humour. It is a must-see for Fringe audiences seeking a unique and entertaining experience.
Review: Covenant, Fringe 2024
Covenant is a powerful and thought-provoking performance showcasing exceptional acting and writing that explores women’s challenging choices and the importance of friendship.
Interview: Titi Lee: Good Girl Gone Baddie, Fringe 2024
Titi Lee is a non-binary, first-generation Taiwanese American comedian and filmmaker based in Los Angeles and is currently showcasing their one-person show, “Good Girl Gone Baddie,” at the Edinburgh Fringe Festival.
Review: Dean Friedman – Words and Music, Fringe 2024
Dean Friedman’s “Words and Music”, named after the album, is a delightful evening of unique lyrical-pop music, ideal for fans and those open to the crooner style, but not recommended for those who dislike this genre.
Review: Diary of a Magician, Fringe 2024
The Diary of a Magician delivers a solid sleight-of-hand performance that effectively entertains children but lacks originality for seasoned magic enthusiasts.
Review: Infinity Mirror, Fringe 2024
Infinity Mirror is a unique and energetic show that blends bizarre adventures with humour, making it a must-see for anyone seeking a comedic and uplifting experience at the Fringe.
Review: Sasha Ellen – My MILF-shake Brings all the Boys to the Yard, Fringe 2024
Sasha Ellen’s “My MILF-shake Brings all the Boys to the Yard” at the Edinburgh Fringe delivers clever, relatable comedy that appeals to both gamers and general audiences.
Review: Summoning Sondheim, Fringe 2024
Summoning Sondheim is an enchanting and successful show that seamlessly blends elements. It offers a captivating experience best enjoyed with some musical theatre knowledge.