Seven Drunken Nights is the story of the Dubliners, an Irish band from the 60s and 70s.
Review: Ellie MacPherson: Babe Lincoln, Fringe 2024
Babe Lincoln is an engaging and hilarious musical comedy that cleverly combines history and humour. It is a must-see for Fringe audiences seeking a unique and entertaining experience.
Review: Dean Friedman – Words and Music, Fringe 2024
Dean Friedman’s “Words and Music”, named after the album, is a delightful evening of unique lyrical-pop music, ideal for fans and those open to the crooner style, but not recommended for those who dislike this genre.
Review: The Creative Martyrs, Fringe 2024
The Creative Martyrs offer a thought-provoking performance, which might upset some, and I’d like them to reward me with a tweak to their balance of music and spoken word.
Review: Isobel Rogers: How to Be Content, Fringe 2024
“Isobel Rogers: How to Be Content” is a charming and witty musical comedy that cleverly explores the relatable journey towards contentment, leaving the audience feeling connected and uplifted.
Review: 1954 – Ella, Etta, Eartha, Fringe 2024
“1954: Ella, Etta, Eartha” is a captivating tribute to three iconic singers, showcasing Melissa Western’s incredible vocals and sharing fascinating glimpses into their lives and legacies.
Review: Mercury in Retrograde, Fringe 2024
“Mercury in Retrograde” is a unique and original folk sci-fi album with a powerful vocal performance. It offers a different experience than traditional sci-fi operas, but a delightful one nonetheless.
Review: 21 – The Music of Adele, Fringe 2024
“21: The Music of Adele” is a delightful tribute show featuring Ella McCready’s powerful vocals and the Night Owl band, offering a memorable experience for fans of Adele’s music and a perfect cross-generational outing.