A really joyful and gloriously sequinned performance from an absolute tour-de-force who commands the stage and entertains with seamless musical numbers, dancing, acrobatics, crowdwork and more!
A review of John Robertson: Excitable Boy! Fringe 2026
I’ve heard good things about John Robertson. People queued early to make sure they got into this free show. That made me even more keen to find out what this show would be like. He didn’t disappoint, this was a chaotically entertaining hour!
Review: Both Sides… Phil Collins and Genesis Celebrated, Fringe 2026
Proof that Phil Collins still wins over every generation. Night Owl Shows delivers a tight, energetic retrospective inside one of the most comfortable musical rooms at the Fringe.
Review: Material Girl – Madonna The Icon, Fringe 2026
From early pop anthems to show-stopping musical ballads, Night Owl Shows brings Madonna’s catalogue to life with remarkable vocal precision at Surgeons’ Hall.
Review: Burger and a Pint – Treats for the Soul, Fringe 2026
Ted Milligan and James Trickey bring infectious chemistry, fast sketches, and gentle audience fun to the Pleasance Cellar. A genuinely warm and funny hour of Fringe sketch comedy that hits the mark.
A review of Crybabies: The Scaring, Fringe 2026
A brilliant comedy horror play with plenty of thrills, chills and plot twists galore – definitely a show for classic horror lovers. I had a lot of fun at this one!
Review: Tasmin Sarkany – Now That’s What I Call Bach!, Fringe 2026
What happens when a disgraced classical violinist marries her instrument? Tasmin Sarkany blends top-tier musicianship with brilliant alternative comedy in Now That’s What I Call Bach at Hoots @ Potterrow.
Review: Dead Wrong, Fringe 2026
Dead Wrong is a show where two friends find themselves in the aftermath of a calamitous situation and are trying to cope.